I encourage you to check out Curry’s full interview here, as well as Rogue Amoeba’s latest blog post here. “If not for an offhand conversation in which we had no involvement, things could have turned out very differently for our company.” “Even 18 years on, I find this story rather terrifying,” Kafasis says. So Steve Jobs told them to get lost, and I thought: “Hey man, thanks, Steve’s on my side. ![]() Steve then turned to me and said: “Do you need this to create these podcasts?”. But the Mac had an application called Audio Hijack Pro, and it was great because we could create audio chains with compressors, and replicate a bit of studio work.Įddie Cue said: “The RIAA wants us to disable Audio Hijack Pro, because with it you could record any sound off of your Mac, any song, anything”. We didn’t really have any tools to record, there was not much going on at the time. When Jobs learned how important Audio Hijack was for podcasters, he told the RIAA to bug off.Īnd in that very meeting, Steve asked: “How do you do your recording?”. As it turns out, the RIAA went directly to Apple to request Audio Hijack shut down, bypassing Rogue Amoeba altogether. In the interview, Curry recounted that he had a meeting with Steve Jobs and Eddy Cue in 2005 about podcasting and iTunes. ![]() ![]() Curry was one of the early voices in the podcasting industry, and even back then, Audio Hijack was an instrumental app for podcasters. In a recent interview, however, Adam Curry spilled the details on just how close the RIAA came to having Audio Hijack shut down. “We eventually came to assume that they recognized our tool’s many legitimate fair uses,” Kafasis writes. “We were naturally concerned that they were aware of our product.”ĭespite the suspicious order, however, Rogue Amoeba never heard a word from the RIAA or any of its lawyers. “That put a damper on our first anniversary celebrations, as we had full knowledge of the organization’s litigious history,” Kafasis recalls. The story starts with Rogue Amoeba spotting an order from a customer with an RIAA email address back in September 2003, one year after Audio Hijack first launched on the Mac. In a new blog post, Rogue Amoeba CEO and cofounder Paul Kafasis reveals how the Recording Industry Association of America pushed to have the app shut down… but Steve Jobs stepped in to save it. If that sentence makes you feel old, we can sympathize.Rogue Amoeba’s Audio Hijack is one of the most powerful audio apps on the Mac, allowing you to record any audio, from any source. Still, one of the most common use cases for Audio Hijack was recording RealPlayer audio streams for later listening on an iPod. As a result, the app was aimed largely at audio enhancement, with the marketing skewed heavily in that direction. Napster was getting whacked, DRMed audio files were the new thing, and despite precedents like the Betamax case, it was no sure thing that the right to record audio digitally would stand. At the time, however, we were incredibly defensive about its recording ability. Powered by Create your own unique website with customizable templates. Audio Hijack 1.0.0Īudio Hijack 1.0, the very first version of our audio recording tool, was released to the world on September 30, 2002. Rogue Amoeba’s Audio Hijack Pro has been a longtime favorite of many who wish to capture sound routed through their Mac-whether from apps or audio input devices. To see many more images of our apps over time. Visit Rogue Amoeba’s Historic Screenshot Archive Below, you can see screenshots of Audio Hijack through the years. We’ve had versions for Mac OS X 10.2 (!) and higher. Audio Hijack is our flagship product, in development since Rogue Amoeba first opened our virtual doors in 2002.
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